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    <lastmod>2023-07-21</lastmod>
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  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2023/7/7/r2qeu2yvp8ee260stivbsgetjvh9oz</loc>
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      <image:title>News &amp; Notes - Canova’s Modello for Titian - Make it stand out</image:title>
      <image:caption>Antonio Canova and Studio. Model for the Monument to Titian. 1795. painted wood and clay. Gallerie dell'Accademia di Venezia. Cat. S. 188.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/c7b79e52-b2c6-4c6d-b540-4f65ea945e56/Wien_Augustinerkirche_Kenotaph_Maria_Christina_1.jpeg</image:loc>
      <image:title>News &amp; Notes - Canova’s Modello for Titian - Make it stand out</image:title>
      <image:caption>Antonio Canova and Workshop. Monument to Maria Christina, Duchess of Teschen. 1805. Augustinerkirche, Vienna, Austria. Photo by Andreas Praefcke. Licensed under the Creative Commons Attribution 3.0 Unported license.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/7c852434-e25c-457e-a833-32c072de99c9/IMG_0240.jpeg</image:loc>
      <image:title>News &amp; Notes - Canova’s Modello for Titian - Make it stand out</image:title>
      <image:caption>Pietro and Luigi Zandomeneghi. Monument to Titian. 1827. Marble. Basilica di Santa Maria Gloriosa dei Frari, Venice.Photo by Didier Descouens under the Creative Commons Attribution-Share Alike 4.0 International license.</image:caption>
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      <image:title>News &amp; Notes - Canova’s Modello for Titian - Make it stand out</image:title>
      <image:caption>Titian. Assumption of the Virgin (1516-1518). oil on panel, 690 x 360 cm. Basilica di Santa Maria Gloriosa dei Frari, Venice.https://commons.wikimedia.org/wiki/File:Tizian_041.jpg</image:caption>
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    <image:image>
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      <image:title>News &amp; Notes - Canova’s Modello for Titian - Make it stand out</image:title>
      <image:caption>Monument to Canova. 1827. Marble. Basilica di Santa Maria Gloriosa dei Frari, Venice.Photo by Didier Descouens under the Creative Commons Attribution-Share Alike 4.0 International license.</image:caption>
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  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2023/6/6/podcast-justice-and-war-in-american-history</loc>
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    <priority>0.5</priority>
    <lastmod>2023-06-21</lastmod>
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      <image:title>News &amp; Notes - New Podcast Series: Justice and War in American History</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2023/5/19/rivers-in-the-anthropocene-the-history-and-current-state-of-our-nations-rivers</loc>
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    <lastmod>2023-05-19</lastmod>
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    <loc>https://jasonmkelly.com/jason-m-kelly/2023/5/19/a-chat-about-the-anthropocene-on-the-in-this-climate-podcast</loc>
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    <priority>0.5</priority>
    <lastmod>2023-05-19</lastmod>
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  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2022/7/10/art-academies-and-art-academy-schemes-in-britain-and-ireland-1600-1770</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1f96fd9c-0f3a-4d2f-bb09-78fabc7471f6/95F0A72F-C134-4B33-98D8-8A7B8404E01F.jpeg</image:loc>
      <image:title>News &amp; Notes - Art Academies and Art Academy Schemes in Britain and Ireland, 1600-1770 - Make it stand out</image:title>
      <image:caption>David Allen. The Interior of the Foulis Academy of Fine Arts. c.1761. oil on canvas. 33 x 40.6 cm. Hunterian Art Gallery, University of Glasgow, GLAHA_43390.</image:caption>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2022/6/30/multimodal-history-a-second-draft</loc>
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    <priority>0.5</priority>
    <lastmod>2022-06-30</lastmod>
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      <image:title>News &amp; Notes - Multimodal History Learning Module: Text, Multimedia, Student Worksheet, and Rubric - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1612266387881-PWGN15O2QXWQJ96VR85X/1280px-All-way_stop_intersection_in_San_Francisco.jpg</image:loc>
      <image:title>News &amp; Notes - Multimodal History Learning Module: Text, Multimedia, Student Worksheet, and Rubric - Make it stand out</image:title>
      <image:caption>Hiya111. A street in San Francisco, using an all-way stop intersection. 4 August 2019. Wikimedia Commons.  Creative Commons Attribution-Share Alike 4.0 International. https://commons.m.wikimedia.org/wiki/File:All-way_stop_intersection_in_San_Francisco.jpg</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/32140cd5-dffe-49db-9013-e8e59a44ef7a/Multimodal-Matrix-short.jpg</image:loc>
      <image:title>News &amp; Notes - Multimodal History Learning Module: Text, Multimedia, Student Worksheet, and Rubric - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/f649fb06-c1b0-4bb0-a6b1-70079dcf763b/Assignment-Multimodality.jpg</image:loc>
      <image:title>News &amp; Notes - Multimodal History Learning Module: Text, Multimedia, Student Worksheet, and Rubric - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/3d8d42cd-5293-41fc-9aaf-abc26452d324/Rubric-Multimodality.jpg</image:loc>
      <image:title>News &amp; Notes - Multimodal History Learning Module: Text, Multimedia, Student Worksheet, and Rubric - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2022/6/6/a-footnote-on-francis-dashwoods-final-visit-to-italy</loc>
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    <priority>0.5</priority>
    <lastmod>2022-06-06</lastmod>
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  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2022/1/29/exhibition-new-blueprints-for-counter-education</loc>
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    <priority>0.5</priority>
    <lastmod>2022-01-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/d9d19f46-8dd8-4a27-9592-7cec3b5c4852/Entrance+to+%28New%29+Blueprints</image:loc>
      <image:title>News &amp; Notes - Exhibition: (New) Blueprints for Counter Education - Make it stand out</image:title>
      <image:caption>Entrance to (New) Blueprints for Counter Education</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/86ebbe5f-f93d-4f82-b4e2-f76be9a8f12c/IMG_0994.jpg</image:loc>
      <image:title>News &amp; Notes - Exhibition: (New) Blueprints for Counter Education - Make it stand out</image:title>
      <image:caption>(New) Blueprint for Counter Education Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2021/10/24/locusts-place-men-and-politics-a-satire-from-1748</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1635102895324-0SC4ZVPAO7UK616D7D5G/359226001.jpg</image:loc>
      <image:title>News &amp; Notes - Locusts, Place-men, and Politics: A Satirical Print from 1748 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2021/9/14/slide-decks-for-the-water-cycle-and-the-rights-of-nature</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-14</lastmod>
  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2021/9/6/e3cytirnrt8wv7qfwjrdd0y0xe3e9n</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1631009171463-V68LR01W8ECY23PDCRWJ/Historiography+Worksheet_Page_1.jpg</image:loc>
      <image:title>News &amp; Notes - Historiography (2): Taking Notes Using the "Historiography Worksheet" - Historiography Worksheet, page 1</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1631009171457-K6OVE6EAMVP97IHDX2J0/Historiography+Worksheet_Page_4.jpg</image:loc>
      <image:title>News &amp; Notes - Historiography (2): Taking Notes Using the "Historiography Worksheet" - Historiography Worksheet, page 2</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1631009171915-OCVXLW8TDCNCJ0IHOHUJ/Historiography+Worksheet_Page_3.jpg</image:loc>
      <image:title>News &amp; Notes - Historiography (2): Taking Notes Using the "Historiography Worksheet" - Historiography Worksheet, page 3</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1631009172011-XEA83T0G8013UR3SSOTD/Historiography+Worksheet_Page_2.jpg</image:loc>
      <image:title>News &amp; Notes - Historiography (2): Taking Notes Using the "Historiography Worksheet" - Historiography Worksheet, page 4</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1631010063979-0REOKEZYB20H4H65E4W6/Snapshot+of+Historiographical+Worksheet+in+LibreOffice+Base.</image:loc>
      <image:title>News &amp; Notes - Historiography (2): Taking Notes Using the "Historiography Worksheet" - Make it stand out</image:title>
      <image:caption>Snapshot of Historiographical Worksheet in LibreOffice Base</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2021/8/15/historiography-1-introducing-historiography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1629033595329-PM718ZSBFBGLFD22LZUO/Phone+and+headphones</image:loc>
      <image:title>News &amp; Notes - Historiography (1): Introducing Historiography - Introducing Historiography</image:title>
      <image:caption>This episode introduces the term “historiography” and its centrality to historical practice.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2021/7/2/bonusarmy1932</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1625241775771-NOSH4PK6Z1ABIG8CRHIG/1920px-Huts_and_unemployed%2C_West_Houston_and_Mercer_St.%2C_Manhattan_%28NYPL_b13668355-482853%29.jpg</image:loc>
      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Make it stand out</image:title>
      <image:caption>Berenice Abbot. Hooverville at West Houston and Mercer in Manhattan. 1935. New York Public Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1625246548211-XIXAO8IT8A7IBYZHPHWX/Bonus+Army+Camp%2C+Anacostia</image:loc>
      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Make it stand out</image:title>
      <image:caption>Bonus Army Camp, Anacostia, Washinton, DC. 1932. Washington Area Spark. Attribution-NonCommercial 2.0 Generic (CC BY-NC 2.0)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1625248335289-ILU6QM5U2LNZHN8UIUBU/Adjusted_Service_Certificate+%281%29.jpg</image:loc>
      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Make it stand out</image:title>
      <image:caption>Adjusted Service Certificate for Ed Akins. 1925. https://commons.wikimedia.org/wiki/File:Adjusted_Service_Certificate.jpg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1625284321395-NG3BE6KTR2PIA0V07MFY/Lot_-__BONUS_ARMY__WALTER_W__WATERS.jpg</image:loc>
      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Make it stand out</image:title>
      <image:caption>News clipping of leaders of the Bonus Expeditionary Force.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1625257544776-TSHNQD2YE674LP7F6RDE/September1932.jpg</image:loc>
      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Make it stand out</image:title>
      <image:caption>Cover of Abbott’s Monthly (September 1932).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1625260443640-7YHM22JC50EPRU80MS6B/bonuseers.png</image:loc>
      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1625244861702-5S468ISLBFEKVIWR0RQE/service-pnp-ppmsca-51500-51529v.jpg</image:loc>
      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Supporting the Bonus Army</image:title>
      <image:caption>Underwood and Underwood. Miss Mary Wick placing bag of coffee in box, for veterans encamped at Washington. 24 June 1932. Library of Congress LOT 3739.</image:caption>
    </image:image>
    <image:image>
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      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans</image:title>
      <image:caption>Underwood &amp; Underwood. Bonus Army marching to the Capitol. 1932. Library of Congress Prints and Photographs Division. Lot 3739 (69).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1625245597160-FE7P6D681LOHJJGWVZ8U/master-pnp-cph-3a50000-3a52000-3a52200-3a52218u.jpg</image:loc>
      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Bonus Army Demonstration</image:title>
      <image:caption>Underwood and Underwood. Bonus Army men in front of their portable kitchen, with the U.S. Department of Agriculture, still partially under construction in the background, near 12th Street, S.W., Washington, D.C. 1932. Library of Congress Prints and Photographs Division. Lot 3739 (69).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1625246755231-8UAAWR25H9FXNGHVRD7J/19493118512_315dd348d2_c.jpg</image:loc>
      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Bonus Army Protest, July 1932</image:title>
      <image:caption>Washington Area Spark. Attribution-NonCommercial 2.0 Generic (CC BY-NC 2.0)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1625248847594-LBZNY276I94X9TYRHI9W/bonus+army+on+lawn.png</image:loc>
      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Bonus Army on Capitol Lawn, June 1932</image:title>
      <image:caption>Library of Congress Prints and Photographs Division.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1625256506724-4QU5ZZPGWMJ0QJ6GGY9A/FBI_Records__The_Vault_%E2%80%94_Bonus_March_Part_1_of_3.jpg</image:loc>
      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Make it stand out</image:title>
      <image:caption>A page from the FBI files claiming that the communists were behind the Bonus Army and that the presence of the Bonus Army increased the activity of communists in Washington, D.C.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1625249508731-GEXJJ0D6HQ2LCYTJFY6K/49228409642_3be8b40d05_3k.jpg</image:loc>
      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Make it stand out</image:title>
      <image:caption>The B.E.F. News. Volume 1, issue 1 (25 June 1932). Washington Area Spark. Attribution-NonCommercial 2.0 Generic (CC BY-NC 2.0)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1625249480081-O0EOCIHY4J6MHXVEPH81/49227715333_4c12d50ba3_3k.jpg</image:loc>
      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Make it stand out</image:title>
      <image:caption>The B.E.F. News. Volume 1, issue 1 (9 July 1932). Washington Area Spark. Attribution-NonCommercial 2.0 Generic (CC BY-NC 2.0)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1625263905963-JS9N3HZ8OCP3W4NWAUH0/master-pnp-cph-3a30000-3a31000-3a31600-3a31673u.jpg</image:loc>
      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Gen. Douglas MacArthur Leads Eviction of Veterans</image:title>
      <image:caption>Underwood &amp; Underwood. Gen. Douglas MacArthur Leads Eviction of Veterans. July 1932. Library of Congress Prints and Photographs Division. LOT 3739</image:caption>
    </image:image>
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      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Washington Police Attempting to Remove Bonus Army Marchers, July 28, 1932</image:title>
      <image:caption>DC Public Library Commons. https://www.flickr.com/photos/dcplcommons/4226569890/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1625264373279-8EE62M1M2CUU3LLSZC6X/19320728_US_Army_Clearing_Streets_view1.jpg</image:loc>
      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Soldiers with Gas Masks Clearing Protestors</image:title>
      <image:caption />
    </image:image>
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      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Soldiers Burn Down Anacostia Housing</image:title>
      <image:caption>Department of Defense Photo. Records of the Office of the Chief Signal Officer, 1860 - 1985. National Archives Identifier: 531102</image:caption>
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      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Make it stand out</image:title>
      <image:caption>Bonus Army in Ideal Park near Johnstown, PA, 3 August 1932.</image:caption>
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      <image:title>News &amp; Notes - A Multimedia Story of The “Bonus Army”: In 1932, the U.S. Government Used Tanks and Tear Gas on Its WWI Veterans - Make it stand out</image:title>
      <image:caption>The cover of the evening edition of the New York Times for 28 January 1936.</image:caption>
    </image:image>
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      <image:caption>Indianapolis Star, 15 June 2021</image:caption>
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    <lastmod>2021-05-24</lastmod>
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      <image:caption>Kangxi Emperor, Jiao Bingzhen, Lou Zhou. China, Qing Kangxi 35 nian [1696]. Library of Congress. https://www.loc.gov/resource/lcnclscd.2014514379.1A001/?sp=23&amp;r=0.07,0.367,0.227,0.113,0</image:caption>
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      <image:title>News &amp; Notes - Gengzhi tu and the European Export Market - Make it stand out</image:title>
      <image:caption>Kangxi Emperor, Jiao Bingzhen, Lou Zhou. China, Qing Kangxi 35 nian [1696]. Library of Congress. https://www.loc.gov/resource/lcnclscd.2014514379.1A001/?sp=23&amp;r=0.07,0.367,0.227,0.113,0</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1621862027503-PO6MQY1PTQ6BW8X8JG1E/iiif-service_asian_lcnclscd_2014514379_1A001_22b23a-full-pct_100-0-default+copy+2.jpg</image:loc>
      <image:title>News &amp; Notes - Gengzhi tu and the European Export Market - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>News &amp; Notes - Gengzhi tu and the European Export Market - Make it stand out</image:title>
      <image:caption>Porcelain Production (China). early 19th century. oil on canvas. 46.4 x 60.3 cm. Christie's sale 15336, "Chinese Export Art Featuring 100 lots from Marchant, est 1925," Lot 195. https://www.christies.com/en/lot/lot-6124881</image:caption>
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      <image:title>News &amp; Notes - Gengzhi tu and the European Export Market - Make it stand out</image:title>
      <image:caption>Tea Hong in Canton (Guangzhou). gouache on paper. 61 x 48 cm. Formerly Indianapolis Museum of Art.</image:caption>
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      <image:title>News &amp; Notes - Gengzhi tu and the European Export Market - Make it stand out</image:title>
      <image:caption>Tea Hong in Canton (Guangzhou). gouache on paper. Peabody Essex Museum. Gift of Mrs. Emory W. Johnson, 1923. E19144.12</image:caption>
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      <image:title>News &amp; Notes - Gengzhi tu and the European Export Market - Make it stand out</image:title>
      <image:caption>Comparison of two gouaches in which the scene remains the same, but in which the European figure has been substituted for another.</image:caption>
    </image:image>
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      <image:caption>Alessandro Magnasco. Interrogation Scene (detail). ca. 1727-30. oil on canvas. 73.2 x 58.2 cm. Städel Museum. Frankfurt, Germany.</image:caption>
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      <image:title>News &amp; Notes - A Short Note on Alessandro Magnasco's Trained Magpies</image:title>
      <image:caption>Alessandro Magnasco. Torture Scene (detail). ca. 1727-30. oil on canvas. 73.2 x 58.2 cm. Städel Museum. Frankfurt, Germany.</image:caption>
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      <image:title>News &amp; Notes - A Short Note on Alessandro Magnasco's Trained Magpies</image:title>
      <image:caption>Alessandro Magnasco. The Tame Magpie. ca. 1707–8. oil on canvas. 63.5 x 74.9 cm. Metropolitan Museum of Art, Katherine D. W. Glover Gift, 1984. 1984.191.</image:caption>
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      <image:caption>Photo by inlaterdays (Flickr). Attribution 2.0 Generic (CC BY 2.0)</image:caption>
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    <changefreq>monthly</changefreq>
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  <url>
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    <changefreq>monthly</changefreq>
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  <url>
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    <changefreq>monthly</changefreq>
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    <lastmod>2020-07-03</lastmod>
    <image:image>
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      <image:caption>Indianapolis Cultural Trail Map</image:caption>
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  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2016/01/11/digital-history-public-history-workshop-storified</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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      <image:title>News &amp; Notes - Digital History / Public History Workshop Storifyed</image:title>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2016/01/11/new-course-history-the-global-anthropocene</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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      <image:title>News &amp; Notes - New Course: History &amp; the Global Anthropocene</image:title>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2016/01/07/digital-history-public-history-american-historical-association-getting-started-in-digital-history-workshop</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-13</lastmod>
  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2016/01/03/some-thoughts-on-disciplinarity-and-the-anthropocene</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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      <image:title>News &amp; Notes - Some Thoughts on Disciplinarity and the Anthropocene</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/12/26/the-anthropocene-a-reading-list</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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      <image:title>News &amp; Notes - The Anthropocene: A Reading List</image:title>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/11/19/stosch-ghezzi-and-an-eighteenth-century-sculpture-restoration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1514422042372-UBBIABXL9ZJGOL3MESGZ/IMG_5725.jpg</image:loc>
      <image:title>News &amp; Notes - Stosch, Ghezzi, and an Eighteenth-century Sculpture Restoration</image:title>
      <image:caption>Diogenes Relief. Villa Albani, inv. no. 161</image:caption>
    </image:image>
    <image:image>
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      <image:title>News &amp; Notes - Stosch, Ghezzi, and an Eighteenth-century Sculpture Restoration</image:title>
      <image:caption>Pier Leone Ghezzi. Drawing of Diogenes Bas Relief. 1726. Codex Ottobonianus Latinus 3109. Vatican Library</image:caption>
    </image:image>
    <image:image>
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      <image:title>News &amp; Notes - Stosch, Ghezzi, and an Eighteenth-century Sculpture Restoration</image:title>
      <image:caption>Pierre Étienne Monnot. Wounded Gladiator (Restoration of Discobolus after Myron). ca. early 1730s. Capitoline Museum, Rome</image:caption>
    </image:image>
    <image:image>
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      <image:title>News &amp; Notes - Stosch, Ghezzi, and an Eighteenth-century Sculpture Restoration</image:title>
      <image:caption>Salvator Rosa. Diogenes and Alexander. 1662. etching with drypoint. 45.2 cm x 27 cm. British Museum Department of Prints and Drawings. W,7.107]</image:caption>
    </image:image>
    <image:image>
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      <image:title>News &amp; Notes - Stosch, Ghezzi, and an Eighteenth-century Sculpture Restoration</image:title>
      <image:caption>François Marteau. Baron Philip con Stosch. 1727. bronze. 40 mm.</image:caption>
    </image:image>
    <image:image>
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      <image:title>News &amp; Notes - Stosch, Ghezzi, and an Eighteenth-century Sculpture Restoration</image:title>
      <image:caption>Pier Leone Ghezzi. Diogenes and Alexander. 1726-28. Private collection</image:caption>
    </image:image>
    <image:image>
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      <image:title>News &amp; Notes - Stosch, Ghezzi, and an Eighteenth-century Sculpture Restoration</image:title>
      <image:caption>Alexander Conversing with Diogenes. Engraved by Giovanni Battista Casanova for Johann Joachim Winckelmann. Monumenti antichi inediti, vol. 1 (Rome, 1767), pl. 174</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/09/17/twitterstorians-a-list</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/09/14/taxonomies-for-big-history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/09/08/timescales-and-big-history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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      <image:title>News &amp; Notes - Timescales and Big History</image:title>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/09/01/some-thoughts-on-deep-history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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      <image:title>News &amp; Notes - Some Thoughts on Deep History</image:title>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/06/24/rivers-of-the-anthropocene-explorations-in-a-human-engineered-world-storified</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/06/12/how-to-design-a-research-project</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/05/25/et-in-wobegon-ego</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/05/22/the-mirror-of-landscape-a-discussion-about-the-art-of-landscape-painting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/05/14/open-access-edition-of-james-russels-letters-from-rome-1740-63</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-23</lastmod>
    <image:image>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/05/08/new-course-the-history-of-evolution-and-human-consciousness-fall-2015</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/03/28/indianas-sb-101-freedom-to-discriminate</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
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  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/03/05/the-future-of-the-arts-and-humanities-roundtable-5-march-2015</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
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      <image:title>News &amp; Notes - The Future of the Arts and Humanities Roundtable, 5 March 2015</image:title>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/02/11/visit-to-emily-davisons-grave</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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      <image:title>News &amp; Notes - Visit to Emily Davison's Grave</image:title>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/02/09/new-course-on-the-history-of-evolution-and-human-consciousness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/01/28/meeting-etiquette-for-students-10-tips-for-both-school-and-work</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/01/26/a-short-guide-for-reading-david-humes-dialogues-concerning-natural-religion-1779</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-18</lastmod>
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      <image:title>News &amp; Notes - A Short Guide for Reading David Hume's Dialogues Concerning Natural Religion (1779)</image:title>
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  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/01/21/jason-m-kelly-the-anthropocene-and-transdisciplinarity-journal-of-contemporary-archaeology-1-no-1-2014-91-96</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
    <image:image>
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      <image:title>News &amp; Notes - Jason M. Kelly, “The Anthropocene and Transdisciplinarity,” Journal of Contemporary Archaeology 1, no. 1 (2014): 91-96</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/01/20/how-historians-read-film-part-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-11</lastmod>
    <image:image>
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  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2015/01/02/the-getting-started-in-digital-history-workshop-at-the-aha-2015-storified</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-01-02</lastmod>
  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2014/12/29/dont-miss-the-film-festival-at-the-american-historical-association-meeting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-12-29</lastmod>
  </url>
  <url>
    <loc>https://jasonmkelly.com/jason-m-kelly/2014/12/24/the-christmas-truce-of-1914-and-the-remembrance-of-war</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-20</lastmod>
    <image:image>
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      <image:title>News &amp; Notes - The Christmas Truce of 1914 and the Remembrance of War</image:title>
      <image:caption>C.A.F. Drummond (Lt), Royal Field Artillery, The Christmas Truce 1914: German soldiers of the 134th Saxon Regiment photographed with men of the 2nd Battalion Royal Dublin Fusiliers in No Man's Land on the Western Front. Imperial War Museums, photograph HU 35801.</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Christmas Truce Letter page 1</image:caption>
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      <image:caption>Official British Military photograph. Lieutenant General W.N. Congreve circa 1915. First published H.W. Wilson, The Great War (1917).</image:caption>
    </image:image>
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  <url>
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    <lastmod>2019-04-20</lastmod>
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    <lastmod>2019-04-20</lastmod>
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    <lastmod>2019-04-20</lastmod>
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    <lastmod>2017-12-28</lastmod>
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    <lastmod>2014-08-22</lastmod>
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    <lastmod>2019-06-28</lastmod>
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      <image:caption>ci700332kn00001</image:caption>
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      <image:caption>enhanced-buzz-21867-1365540606-7</image:caption>
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    <priority>0.5</priority>
    <lastmod>2019-01-24</lastmod>
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  <url>
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    <priority>0.5</priority>
    <lastmod>2019-01-24</lastmod>
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    <lastmod>2019-12-23</lastmod>
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      <image:caption>English Nationality Room Cathedral of Learning</image:caption>
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    <priority>0.5</priority>
    <lastmod>2019-01-24</lastmod>
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    <lastmod>2022-09-01</lastmod>
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      <image:caption>Trafalgar Park (formerly Standlynch), Wilts., England</image:caption>
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    <image:image>
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      <image:caption>John James. Wricklemarsh, London. 1723, house completed 1724-7, demolished 1787. Vitruvius Britannicus, IV (plate 61). British Museum P&amp;D 1881,0611.174.</image:caption>
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      <image:caption>Robert van Voerst after Anthony Van Dyck. Inigo Jones. before 1641. From Icones Principum Virorum. British Museum P&amp;D R,1a.146. Inscription: "CELEBERRIMUS UIR INIGO IONES PRÆFECTUS ARCHITECTURÆ / MAGNÆ BRITTANIÆ REGIS ETC. / Ant.van Dÿck pinxit / Mart. vanden Enden excudit Cum priuilegio.”</image:caption>
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      <image:title>News &amp; Notes - Making a Palladian Country House: Trafalgar Park and Its First Owners</image:title>
      <image:caption>Sir George Vandeput (satirical print). 1750. Etching and engraving. British Museum P&amp;D. 1868,0808.3901</image:caption>
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      <image:caption>Johan Zoffany. The Family of Sir William Young. ca. 1766-70. oil on canvas. 114.3 x 167.8cm. Walker Art Gallery. WAG2395</image:caption>
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    <lastmod>2017-12-28</lastmod>
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    <lastmod>2020-01-06</lastmod>
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    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
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    <lastmod>2018-06-05</lastmod>
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    <lastmod>2019-05-17</lastmod>
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    <lastmod>2017-12-28</lastmod>
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    <lastmod>2017-12-28</lastmod>
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    <priority>0.5</priority>
    <lastmod>2017-12-28</lastmod>
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    <lastmod>2019-02-18</lastmod>
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    <lastmod>2019-12-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1514930313043-162U79QW38RL7TD6WNPX/IMG_4462.jpg</image:loc>
      <image:title>Fjord/Glacier/River Exhibition</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1514930318601-4M4E42RQ5IT641D27WA9/IMG_4466.jpg</image:loc>
      <image:title>Fjord/Glacier/River Exhibition</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1514930323957-8IJUAX9EG7T6F5P75IYK/IMG_4468.jpg</image:loc>
      <image:title>Fjord/Glacier/River Exhibition</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1514930324084-E3228A2CK50JXBZ8DY1E/IMG_4471.jpg</image:loc>
      <image:title>Fjord/Glacier/River Exhibition</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1514930331944-TEB3BF4GOCTQDD9LZ9OE/IMG_4476.jpg</image:loc>
      <image:title>Fjord/Glacier/River Exhibition</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1514930332330-FKXMJH6G2WIUMFLCSRTK/IMG_4519.jpg</image:loc>
      <image:title>Fjord/Glacier/River Exhibition</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1514930339371-SQ0G5CS23K06IQAE4AYT/IMG_4537.jpg</image:loc>
      <image:title>Fjord/Glacier/River Exhibition</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1514930665874-KWFVYFLVNLL0FEODLRUF/IAHI_PleasantRunWalkandSketch_Booklet_Page_01.png</image:loc>
      <image:title>Fjord/Glacier/River Exhibition - To learn more</image:title>
      <image:caption>Download the Art Booklet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1514931895209-5FFSN9T27IRDWU8ZCRJV/Mirror+of+Lanscape.jpg</image:loc>
      <image:title>Fjord/Glacier/River Exhibition</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1514931431164-5K50GRIZ9QFZ2WMJ9KAA/192205.jpg</image:loc>
      <image:title>Fjord/Glacier/River Exhibition</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1514931432277-8YK7TYBASOXHZ361L4SW/D27701_10.jpg</image:loc>
      <image:title>Fjord/Glacier/River Exhibition</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1514931433401-K3SG8PMFKMW7GBQDCICJ/N2300676_JPEG_10_10DM.jpg</image:loc>
      <image:title>Fjord/Glacier/River Exhibition</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1514931416283-EZAO9MTGRFZCWRXONQXH/0_download.jpg</image:loc>
      <image:title>Fjord/Glacier/River Exhibition</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jasonmkelly.com/frankensteinatlas</loc>
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    <priority>0.75</priority>
    <lastmod>2024-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1524068938213-XSD7ZVAT0Q3K9OVR3E22/Matterhorn_and_Dent_d%27H%C3%A9rens-wikimedia.jpg</image:loc>
      <image:title>A Frankenstein Atlas</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1524518019414-XOA8L7915R4AU74IJDV9/Matterhorn_and_Dent_d%27H%C3%A9rens-wikimedia.jpg</image:loc>
      <image:title>A Frankenstein Atlas</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1524164357717-6XP42X4Q7WYGQL5LD067/GIS+Sample</image:loc>
      <image:title>A Frankenstein Atlas</image:title>
      <image:caption>Rationale and Methods</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1524164490558-DKG8MT782WG2T40V3BN5/Map+of+Switzerland</image:loc>
      <image:title>A Frankenstein Atlas</image:title>
      <image:caption>Maps and Gazetteer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1524164409826-T1J26AG7YBCF0CK3R82T/Frankenstein+Atlas+Sample</image:loc>
      <image:title>A Frankenstein Atlas</image:title>
      <image:caption>Data Sets on Github</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1524165156950-TQ3ABNK6LH5YKMX3SSCP/Lackington+and+Co.+Bookshop</image:loc>
      <image:title>A Frankenstein Atlas</image:title>
      <image:caption>Bibliography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1548855848576-CKYVNUVAYZ82SQOMC7RL/Racehorse_and_Carcass_forcing_thruogh_the_ice.jpg</image:loc>
      <image:title>A Frankenstein Atlas - The Polar Voyage in Frankenstein</image:title>
      <image:caption>Detail from the Racehorse and Carcass forcing through the Ice, August 10th, 1773</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1548855344838-LRTKH7B7RCOPVXJVYSAP/Villa+Diodati+Map-Final.png</image:loc>
      <image:title>A Frankenstein Atlas - Slavery and Race in Frankenstein</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1548855857447-GS0S8KAW537FK993DUFW/cozens-afterturner-arve-mont%2Bblanc-BM.jpg</image:loc>
      <image:title>A Frankenstein Atlas - The Sublime and the Beautiful</image:title>
      <image:caption>Joseph Mallord William Turner after John Robert Cozens. Mont Blanc from the banks of the Arve, near Sallenches in Savoy. c.1792-3. watercolour over graphite. 231 mm x 376 mm. British Museum Department of Prints and Drawings. 1958,0712.387.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1548856620288-B1JIMIIBTAN6X66PMX0K/frankensteinsamplemap.png</image:loc>
      <image:title>A Frankenstein Atlas - The Travels of Victor Frankenstein (coming soon)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1550409535699-MZ5TEGCAWXLYB4EHWGUC/Britannia_by_William_Camden_Title_page.jpg</image:loc>
      <image:title>A Frankenstein Atlas - Chorography for A Frankenstein Atlas</image:title>
      <image:caption>In building A Frankenstein Atlas, our team has gone back to these early modern chorographical texts for inspiration. For each site that Mary Shelley describes in Frankenstein, we are creating a multilayer description that not only codes the novel (see A Frankenstein Atlas: Schema), but one which helps the reader imagine place as Mary Shelley and her readers may have conceived of it at the time of the book’s publication. In effect, we are creating what scholars in Historical GIS refer to as a “deep map.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jasonmkelly.com/map-essays-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1548855392098-RMTU0LTBNEOJA3XZKQUS/heatmap_sublime.png</image:loc>
      <image:title>Map Essays</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1548855848576-CKYVNUVAYZ82SQOMC7RL/Racehorse_and_Carcass_forcing_thruogh_the_ice.jpg</image:loc>
      <image:title>Map Essays - The Polar Voyage in Frankenstein</image:title>
      <image:caption>Detail from the Racehorse and Carcass forcing through the Ice, August 10th, 1773</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1548855344838-LRTKH7B7RCOPVXJVYSAP/Villa+Diodati+Map-Final.png</image:loc>
      <image:title>Map Essays - Slavery and Race in Frankenstein</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1548855857447-GS0S8KAW537FK993DUFW/cozens-afterturner-arve-mont%2Bblanc-BM.jpg</image:loc>
      <image:title>Map Essays - The Sublime and the Beautiful</image:title>
      <image:caption>Joseph Mallord William Turner after John Robert Cozens. Mont Blanc from the banks of the Arve, near Sallenches in Savoy. c.1792-3. watercolour over graphite. 231 mm x 376 mm. British Museum Department of Prints and Drawings. 1958,0712.387.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5a44280432601e14c4a69783/5c51a6457924e827262c9520/5c51a68f4d7a9ca908892164/1548854927255/</image:loc>
      <image:title>Map Essays</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1548856620288-B1JIMIIBTAN6X66PMX0K/frankensteinsamplemap.png</image:loc>
      <image:title>Map Essays - The Travels of Victor Frankenstein (coming soon)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a44280432601e14c4a69783/1550409535699-MZ5TEGCAWXLYB4EHWGUC/Britannia_by_William_Camden_Title_page.jpg</image:loc>
      <image:title>Map Essays - Chorography for A Frankenstein Atlas</image:title>
      <image:caption>In building A Frankenstein Atlas, our team has gone back to these early modern chorographical texts for inspiration. For each site that Mary Shelley describes in Frankenstein, we are creating a multilayer description that not only codes the novel (see A Frankenstein Atlas: Schema), but one which helps the reader imagine place as Mary Shelley and her readers may have conceived of it at the time of the book’s publication. In effect, we are creating what scholars in Historical GIS refer to as a “deep map.</image:caption>
    </image:image>
  </url>
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    <loc>https://jasonmkelly.com/practicinghistory</loc>
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      <image:title>Practicing History Podcast - Practicing History Podcast Episode 5: Primary Sources</image:title>
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    <loc>https://jasonmkelly.com/practicinghistory/2019/6/28/practicing-history-podcast-episode-4-correlation</loc>
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    <lastmod>2019-07-02</lastmod>
    <image:image>
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      <image:title>Practicing History Podcast - Practicing History Podcast Episode 4: Correlation</image:title>
      <image:caption>Johnson, Stephen R. “The Trouble with QSAR (or How I Learned To Stop Worrying and Embrace Fallacy).” Journal of Chemical Information and Modeling 48, no. 1 (2008): 25–26. https://doi.org/10.1021/ci700332k.</image:caption>
    </image:image>
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      <image:title>Practicing History Podcast - Practicing History Podcast Episode 4: Correlation</image:title>
      <image:caption>"Open Letter To Kansas School Board," Church of the Flying Spaghetti Monster, http://www.venganza.org/about/open-letter/.</image:caption>
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      <image:title>Practicing History Podcast - Practicing History Podcast Episode 4: Correlation</image:title>
      <image:caption>Vali Chandrasekaran, "Correlation or Causation?" Bloomberg Businessweek (December 1, 2011), https://www.bloomberg.com/news/articles/2011-12-01/correlation-or-causation.</image:caption>
    </image:image>
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      <image:title>Practicing History Podcast - Practicing History Podcast Episode 3: Causation</image:title>
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      <image:title>Practicing History Podcast - Practicing History Podcast Episode 1: What is History?</image:title>
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      <image:caption>CandyStations, an interdisciplinary artist, who has partnered with musicians such as Sufjan Stevens, St. Vincent, and Bang On A Can with performances at Coachella, Brooklyn Academy of Music, The Museum of Modern Art, Madison Square Garden, and more, will improvise video compositions each evening.</image:caption>
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      <image:caption>In building A Frankenstein Atlas, our team has gone back to these early modern chorographical texts for inspiration. For each site that Mary Shelley describes in Frankenstein, we are creating a multilayer description that not only codes the novel (see A Frankenstein Atlas: Schema), but one which helps the reader imagine place as Mary Shelley and her readers may have conceived of it at the time of the book’s publication. In effect, we are creating what scholars in Historical GIS refer to as a “deep map.</image:caption>
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      <image:caption>J.M.W.Turner after John Robert Cozens. Mont Blanc from the banks of the Arve, near Sallenches in Savoy. c.1792-3. watercolour, over graphite. 231 x 376 mm. British Museum. 1958,0712.387.</image:caption>
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      <image:title>A Frankenstein Atlas: The Sublime and the Beautiful</image:title>
      <image:caption>J.M.W. Turner 1775–1851. Chamonix: Mont Blanc and the Arve Valley from the Path to the Montenvers. 1803. graphite, watercolour and gouache on paper. Support: 318 x 472 mm. Tate. St Gothard and Mont Blanc Sketchbook. D04610. Turner Bequest LXXV 18. Image released under Creative Commons CC-BY-NC-ND (3.0 Unported).</image:caption>
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      <image:title>A Frankenstein Atlas: The Sublime and the Beautiful</image:title>
      <image:caption>Heatmap of Mary Shelley's geography of the "Beautiful."</image:caption>
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    <image:image>
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      <image:title>A Frankenstein Atlas: The Sublime and the Beautiful</image:title>
      <image:caption>Heatmap of Mary Shelley's geography of the "Sublime."</image:caption>
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    <loc>https://jasonmkelly.com/a-frankenstein-atlas-polar-regions</loc>
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      <image:title>A Frankenstein Atlas: Polar Regions</image:title>
      <image:caption>Walton's travels in Frankenstein around the northern tip of the Novaya Zemlya archipelago. Data from Divine, D. V. and C. Dick. 2007. March through August Ice Edge Positions in the Nordic Seas, 1750-2002, Version 1. ACSYS Historical Ice Chart Archive. Boulder, Colorado USA. NSIDC: National Snow and Ice Data Center. doi: https://doi.org/10.7265/N59884X1. 21 April 2018.</image:caption>
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    <loc>https://jasonmkelly.com/mont-blnc</loc>
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    <lastmod>2018-04-25</lastmod>
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    <lastmod>2019-01-30</lastmod>
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      <image:title>A Frankenstein Atlas: Slavery and Race in Frankenstein</image:title>
      <image:caption>Villa Diodati is the house that Byron and Polidari rented in the summer of 1816 and the location where Mary Godwin (later Shelley) composed Frankenstein. It is located along Lake Geneva in the town of Cologny, Switzerland.</image:caption>
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    <image:image>
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      <image:title>A Frankenstein Atlas: Slavery and Race in Frankenstein</image:title>
      <image:caption>"Blue glass sugar bowl inscribed in gilt 'EAST INDIA SUGAR/not made by/SLAVES'". ca. 1820-1830. Bristol. Height: 110 mm; Diameter: 100 mm. British Museum Department of Britain, Europe, and Prehistory. 2002,0904.1.</image:caption>
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    <loc>https://jasonmkelly.com/chorography-for-a-frankenstein-atlas</loc>
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    <lastmod>2019-02-18</lastmod>
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      <image:title>Chorography for A Frankenstein Atlas</image:title>
      <image:caption>William Camden. Brirannia. London: 1607.</image:caption>
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    <loc>https://jasonmkelly.com/perth-perthshire-scotland</loc>
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    <lastmod>2019-02-16</lastmod>
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      <image:title>Perth, Perthshire, Scotland</image:title>
      <image:caption>Perth, Scotland</image:caption>
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    <lastmod>2022-07-28</lastmod>
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      <image:title>IU Alumni Magazine: A Frankenstein Atlas - Make it stand out</image:title>
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