I am happy to announce the exhibition (New) Blueprints for Counter Education, which I have curated as part of my work for the IUPUI Arts & Humanities Institute. Featuring new work by Artur Silva, Lasana Kazembe, Jason M. Kelly, and Kara Taylor, the exhibition uses virtual reality, poster art, film, and music to consider our current moment—and the ways that the visual arts, philosophy, poetry, performance, and history equip us to both understand and respond to the challenges that we face.
Read MoreI’ve put together a little end-of-the-year reading (and watching and listening) list for you.
Read MoreIn the end, I decided to frame rights in the context of "rights-making" and "rights-taking." By "rights-making," I asked the students to reflect on the fact that civil, human, constitutional, etc. rights are always made in a historical context. In practice, rights are never constant. They are negotiated, claimed, and fought for. By "rights-taking," I wanted them to think about how, in these historical contexts, rights are taken (i.e. claimed) by activists or taken away by those with power. Rather than working from a history-of or a taxonomical approach to rights, we would focus on rights as an assemblage of ideas, concepts, social relations, symbolic forms, claims, laws, practices, and materialities in motion.
Read MoreThis presentation covers the basics of cinematography. It offers some basics about the technologies of filming (e.g. lenses, aperture). If you're teaching your students about film and its history, you may find some of this material useful for your courses.
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